- Projects
- A Marriage: 1 Jake Margolin & Nick Vaughan
- Botch Joe Diebes
- Chimera Deborah Stein & Suli Holum
- City Council Meeting Aaron Landsman
- Epyllion Lindsay Abromaitis-Smith
- Floating Point Waves Shige Moriya & Ximena Garnica
- Keep Your Electric Eye On Me Shaun Irons & Lauren Petty & Mei-Yin Ng
- Lush Valley Kristin Marting & Yana Landowne & Tal Yarden
- Miranda Kamala Sankaram
- Science Fair Hai-Ting Chinn
- Sonnambula Michael Bodel
- The Scarlet Ibis Stefan Weisman & David Cote
- The Strangest Betty Shamieh
- Weights and Balances Bora Yoon
- Wooden Laura Peterson
- You Are Dead. You Are Here. Christine Evans & Joseph Megel & Jared Mezzocchi
About the Program
HERE Artist Residency Program
Through the HERE Artist Residency Program, HERE commissions and develops new hybrid works over a 1- to 3-year period. As part of the HERE community of artists and audiences, our residents show works-in-progress, develop workshop productions, and mount full–scale productions. Through our residency programs, HERE seeks to not only grow innovative artistic work, but also give artists the awareness and skills—in areas such as audience relations, budgeting, grantwriting, and touring—they need to continue to grow their careers.
How to Apply
The submission period for our HERE Artist Residency Program is now closed. HARP commissions and develops new hybrid works over a 1- to 3-year period. Our mid-career resident artists meet monthly, show works-in-progress, develop workshop productions, and mount full–scale productions.
Please check back in the fall for the next HARP application deadline.
Featured Slideshow
Here is a slideshow presenting a recent HARP production Kamala Sankaram's Miranda.
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Upcoming HARP Production
CULTUREMART 2012
Our annual festival where process becomes the focus. Beautifully produced, yet still in development, CULTUREMART provides a platform for our resident artists.
HARP Media
Recent HARP blog comment
Wonderful show. So many different types of sensory inputs going on at the same time. I sat on the side away from the door, “backstage” at the finale. I loved the puppets on the tables, the soloist, the commentary. I had trouble with some of the dancing, at times it seemed too long too much. Overall bravo. Excellent.